Eric Selvig (Stellan Skarsgard) and Darcy Lewis (Kat Dennings) attempt to deal with the implications of MalekithвЂ™s plot centered on portals over in London. The filmвЂ™s setting is mainly set amongst the majesty of Asgard, although it occasionally grounds itself back on Earth with a side story in which returnees Dr.

While itвЂ™s difficult to gauge the extent of the differences the Taylor Cut would bring based on what is vaguely described, it does seem that the director had originally planned to lean into the mythologyвЂ™s more magical side.Д¬ontextually, the plot of the film we did get centered on the fractured relationship between Thor (Chris Hemsworth) and Jane Foster (Natalie Portman) against the backdrop of an insidious plot by Dark Elf Malekith (Christopher Eccleston) to destroy Asgard (and, by proxy, Earth), that will require the help of an incarcerated, post- Avengers ( non-variant) Loki (Tom Hiddleston) to repel. And there were major plot differences that were inverted in the cutting room and with additional photography - people who had died were not dead, people who had broken up were back together again. There was weird stuff going on back on Earth because of the convergence that allowed for some of these magical realism things. вЂњThere was a slightly more magical quality. вЂњThe version I had started off with had more childlike wonder there was this imagery of children, which started the whole thing,вЂќ Taylor said. Now, in a THR interview, the director drops the term, вЂњTaylor Cut,вЂќ revealing his real vision. Unfortunately, in a familiar-sounding tale, the final product-lucrative as it may have been-fell short of what he had in mind. Taylor-working off a script by Christopher Yost, Christopher Markus and Stephen McFeely-was tasked with evolving the Norse-inspired Marvel Comics mythos while injecting his own brand of introspective drama.

Indeed, the American helmer, Taylor, was an intriguing fit, especially after the majestic movie template was set in the previous film by legendary Shakespearean stalwart Kenneth Branagh. While film was never his primary medium, he had worked on some of the hottest dramatic television properties in recent years in HBOвЂ™s The Sopranos and AMCвЂ™s Mad Men, and, most notably, was a key director for the hottest show of the era, HBOвЂ™s Game of Thrones. Yet, the film was apparently the byproduct of lofty concepts that were subsequently butchered by Marvel, claims director Alan Taylor, who has revealed intriguing details on his unfettered version of the film.ДЄt the time, the selection of Alan Taylor as director for Thor: The Dark World was an auspicious sign. Sure, its $644 million global gross surpassed its predecessorвЂ™s $449 million, but the film itself is generally seen as a morose movie experiment hampered by an awkwardly-paced plot, and its dominant setting of Asgard and the celestial realms bored the popcorn crowd. While Thor: The Dark World would not be accurately labeled as a dud, the 2013 sequel to 2011вЂ™s crucial early Marvel Cinematic Universe offering isnвЂ™t exactly widely regarded as a high point in the annals of the lucrative franchise.

Thor dark world movie summary